In Pursuit of Love Spirituality and Happiness Review by Blueink
- ★★★★
- Culture
- Television & radio
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This was published eight months ago
This lush and sparkling serial is a tonic for our locked-downwards winter
By Debi Enker
The Pursuit of Honey ★★★★
Amazon Prime
Bubbly and colourful as a Pimm's Loving cup and bracing as a dry out martini, The Pursuit of Honey is a three-part adaptation of Nancy Mitford's bestselling 1945 novel. The directorial debut for actor and co-executive producer Emily Mortimer, it's fix mainly in England between the 2 World Wars and is a cleverly crafted cocktail: a tale about an indelible female friendship and a knowing examination of class pretensions and gender barriers, delivered with eye-processed visuals and an admirably calorie-free touch on. Mortimer (the co-creator and co-writer of the caustic comedy Doll & Em) also plays a supporting role as "The Bolter".
At its heart are two devoted well-born cousins: impulsive, tempestuous Linda Radlett (co-executive producer Lily James) and clever, cautious Fanny (Emily Beecham), who's as well the series' narrator. Adopting a wry tone from the start, the drama follows them from boyhood through marriage to motherhood, charting their respective pursuits of love and fulfilment. A passionate romantic, Linda avidly seeks an ideal, the grand, atypical, sweeping coupling that defines and elevates a life. Fanny, abased as a kid past her unapologetic and pleasure-seeking mother (aka The Bolter), is more circumspect.
In an early bid to escape the repressive confines of her family's estate, Linda marries a conservative cyberbanking scion (Freddie Fob) and "becomes what'due south known as a society dazzler", yet quickly finds herself again trapped by the expectations imposed on her. Fanny literally bumps into Alfred (Shazad Latif), a immature Oxford don, at Linda's wedding and things proceed fitfully from there. The drama suggests that all might non be smooth sailing for that spousal relationship when Alfred, amongst the throes of passion on their wedding night, pauses to fold his trousers neatly.
Linda and Fanny live in a guild where women are seen as skittish or stable and labelled either as "bolters", those who exit their marriages, or "stickers", those who meet them out, even if they're miserable. "Happily married or unhappily married, that'due south the choice if you're a woman," snaps a frustrated and resentful Fanny at i point to her bemused husband.
As the pair progresses through life, the serial presents a knowing yet affectionate view of the English elite: drafty castles, eccentric rituals, entrenched prejudices, disengaged parents and a bizarre fervour for fox hunting. Linda'south boorish father, Matthew (Dominic Westward), firmly believes that girls shouldn't have an education and that playing hockey can just result in thick thighs. He's as well convinced that his daughters accept everything that they could mayhap need – "church building, stables, tennis court" – on the Radlett estate, Alconleigh, which is described by Fanny early every bit "a large, ugly, northward-facing business firm high on a colina in Oxfordshire".
The Pursuit of Dearest looks lush and is powered past a stone 'north' roll soundtrack that's oddly perfect.
The opening scenes and the tone of the narration establish the serial' lightness early on on. Although Mortimer'south adaptation, like its source, isn't a conventional comedy, it is wryly acute. This is not the kind of dour and scathing survey exemplified by the estimable Patrick Melrose (Stan*), which is as well based on an upper-class insider's account of his world.
Mortimer's high-spirited production conveys a potent impression that the cast must have had a fine fourth dimension making it. James (Downton Abbey) has a talent for playing young women possessing a girlish, slightly annoying exuberance, and Beecham provides an effective balance for it, bringing an English-rose reserve to her character.
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As the differing faces of the aristocracy, West fills the part of a blowhard, xenophobic bully with gusto, while Andrew Scott seems to smile all the manner through his portrayal of Lord Merlin, a softly spoken, quietly observant bohemian. An fine art lover, he dyes his pet pigeons pinkish and blueish so that they await prettier. Dolly Wells, Mortimer's long-time friend and her Doll & Em co-creator and co-star, appears as Aunt Sadie, Matthew's recessive wife and Linda'south unobtrusive mother.
Mortimer combines all the elements with crisp flair and confidence. Shot by Zac Nicholson, with sumptuous product design by Cristina Casali, The Pursuit of Honey looks lush and is powered by a rock 'n' roll soundtrack that's oddly perfect. Sprinkled with sparkling lines of dialogue delivered by characters who radiate vitality, it's but the tonic to liven upwards a sporadic, locked-downward winter.
The Pursuit of Love streams on Amazon Prime from July 30. *Stan is endemic by Nine, the owner of this masthead.
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Source: https://www.smh.com.au/culture/tv-and-radio/this-lush-and-sparkling-series-is-a-tonic-for-our-locked-down-winter-20210728-p58du3.html
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